2017年10月19日 星期四

Titian. "Portrait of a Young Woman" (circa 1536)

Google 英譯：可理解

# Painting_day # Titian
The genre of the portrait occupies a significant place in the work of Titian. "Portrait of a Young Woman" (circa 1536) is executed from a model that the artist has repeatedly depicted: so, from it was written the famous "Venus of Urbino."
Blooming Venetian, personifying the femininity and charm of youth, in general terms corresponds to the ideal described in the work of Agnolo Firenzuola "Discourse on female beauty." For example, in a beautiful woman, "the skin should be slightly reddish from the bloodstream," "shoulders should be wide, ... no bone should protrude on the breast." The perfect breast rises smoothly, imperceptibly to the eye, "" the forearms must be white. "
Virtual Academy. The Italian Renaissance in the Hermitage. The Art of Venice - http://bit.ly/2v9iwe9

Facebook翻譯：接近無法理解
Жанр портрета занимает значительное место в творчестве Тициана. "Портрет молодой женщины" (около 1536 г.) исполнен с модели, которую художник не раз изображал: так, с нее была написана знаменитая "Венера Урбинская".
Цветущая венецианка, олицетворяющая собой женственность и прелесть юности, в общих чертах соответствует идеалу, описанному в сочинении Аньоло Фиренцуолы "Рассуждения о женской красоте". Например, у красавицы "кожа должна быть слегка красноватой от кровообращения", "плечи должны быть широкими,... на груди не должна выступать ни одна кость. Совершенная грудь повышается плавно, незаметно для глаза", "предплечья должны быть белыми".
Виртуальная Академия. Итальянское Возрождение в Эрмитаже. Искусство Венеции - http://bit.ly/2v9iwe9
#Картина_дня #Тициан

肖像的類型在創意中佔有很大的位置. "年輕 女性 的 肖像" (約1536克)是用藝術家反復描述的模式進行的: 這是著名的維納斯urbinskaâ寫的.

威尼斯的青春之美, 美麗的美麗和青春的美麗, 與寫作中描述的"女性美女"的理想完全一致. 例如". 肌膚的美麗". ", 肩膀必須寬,... 沒有骨頭應該在胸部. 完美的胸部上升, 沒人注意", 必須是白色的.

虛擬學院. 義大利在追的復興. 第條: 享受社會保障的權利
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2017年10月14日 星期六

Mercedes-Benz, plum pudding, plum cake

Mercedes-Benz 中文可能5種：賓士 (台灣)、奔馳 (中國)、平治 (彭博商業周刊 )......
梅賽德斯-賓士（Mercedes-Benz，根據地區與時期的不同分別有賓士、奔馳、平治、梅賽德斯、朋馳等多種中文簡稱），是一家以豪華和高性能著稱的德國汽車品牌[1]，總部設於德國斯圖加特。旗下產品有各式乘用車、中大型商用車輛。目前梅賽德斯-賓士是戴姆勒公司旗下的成員之一。

 ~~~~
🎄 I know it's only October but...


 2012我則是讀張華兄去年的大作Through the Looking Glass 愛麗絲鏡中棋緣 (譯者：張華)
    趙先生把第7章的plum cake和第9章的plum pudding分別譯成「梅子糕」與「梅子布丁」，但1957年啟明書局版則分別譯成「葡萄餅」與「葡萄乾布丁」。本書經查證後，分別譯為「水果蛋糕」 (第7章註13) 和「葡萄乾布丁」 (第9章註18)。
去了解: plúm cáke[plúm cáke]
[U][C]((主に英))（干しブドウなどがはいった）フルーツケーキ.
BBC 還教您如何做此蛋糕---經驗說，上下底的水果以梅為最：
 http://www.bbc.co.uk/food/recipes/plum_pudding_cake_75784


~~~
2016.12.1

譯人譯事
1 小時
每次我看到plum pudding譯成梅子布丁就覺得好笑。
聖誕節快到了，這個字應該會更常出現。
何謂plum pudding：http://tinyurl.com/htr3m8t
翻譯時，順便google一下圖片或影片是不錯的輔助。
我覺得網路版的必應字典非常棒，查單字都會順便跳出圖片。
Despite the name "plum pudding," the pudding contains no actual plums due to the pre-Victorian use of the word "plums" as a term for raisins.



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2017年10月13日 星期五

Richard Howard 及一些台灣的大譯家； George Plimpton on Translating Proust

Richard Joseph Howard (born October 13, 1929; adopted as Richard Joseph Orwitz) is an American poet, literary critic, essayist, teacher, and translator. He was born in Cleveland, Ohio and is a graduate of Columbia University, where he studied under Mark Van Doren,[1] and where he now teaches. He lives in New York City.




Major translations (French to English)[edit]


Happy birthday to Richard Howard, who is eighty-eight today. Read his Art of Poetry interview here:
Richard Howard, The Art of Poetry No. 86
Visiting Richard Howard in his Greenwich Village apartment, I brought with me a photograph I’d discovered of the two of us, taken not long after we’d met, thirty years ago. What’s startling is to look up from the picture to the man in…
THEPARISREVIEW.ORG



2011.1.2
Richard Howard 及一些台灣的大譯家
上周四 辜振豐和明智周
辜先生的時尚考要出增訂版/ 明智周新書談日語中的敬語
辜先生談 Richard Howard 他們對於我知道這為名譯家有點驚訝
其實查Wikipedia 的他
就知道他1982年獲法國騎士獎章In 1982, Howard was named a Chevalier of L'Ordre National du Mérite by the government of France.
我讀他的Barthes英譯 收穫最多
(Major Translations (French to English)

企盼有機會讀讀他的文集 The Rustle of Language
The rustle of language - Google 圖書結果Roland Barthes, Richard Howard - 1989 - Language Arts & Disciplines - 373 頁
Essays discuss science, mythology, language, style, history, semiotics, literature, and meaning In the 'The Rustle of Language' almost all the essays in this ...
***


昨天傍晚 我在超市前遇到瑞麟
我跟他說 胡適紀念日中午去他那兒 未遇
他說現在花很多時間在附近的佛堂
所以我說歲末 Simon U 的人應該聚會 (他說月娟日前打過電話問起這)
去年只為HOWARD和 永安辦過一次讀書會
(欣寧的文字收納室:梁永安：嚼飯授人之事)
他說現在在家的時間少
多可惜
就用幾個文字向各大譯家賀新年
現在在等梁永安翻譯的dhl 短篇小說和櫻桃園文化出版的初戀




On translating Marcel Proust.



Richard Howard and George Plimpton on Translating Proust
Richard Howard first appeared in The Paris Review in our thirteenth…
THEPARISREVIEW.ORG



Richard Howard first appeared in The Paris Review in our thirteenth issue—from the summer of 1956. Since then, several of his poems and translations have found their way to these pages, and in 2004, J. D. McClatchy interviewed him for our Art of Poetry series. In our Summer 1989 issue, George Plimpton spoke with Howard about translating Proust.
GP
The first line of Remembrance of Things Past is one of the most famous in literature. How does your version differ from the others?
RH
Three versions of Proust’s first sentence—“Longtemps, je me suis couché de bonne heure.”—have been published. The Scott Moncrieff-Kilmartin: “For a long time I used to go to bed early.” James Grieve (an Australian professor): “Time was, when I always went to bed early.” And mine: “Time and again, I have gone to bed early.”
GP
And what is the thinking behind your version?
RH
To begin with, “time and again” seems one of those cell-like phrases which sums up a meaning of the whole book, as long-temps does in French. I admire Professor Grieve’s “time was”, but it doesn’t have the notion of recurrence that I wanted. It seemed to me that what was needed was not only an opening phrase which would reveal the book’s meaning, but one that would begin with the word “time”, which would be the last word in the book as well, as it is in French. 
GP
Were there other considerations?
RH
Roger Shattuck has an essay about this, and Alfred Corn has explored it in his essays too: in the whole book, the only use of the passé composé occurs, to all intents and purposes, in the first sentence. Oh sometimes characters use this tense in speech, but the narrative is virtually never in the passé composé (je me suis couché). So that one hears a deliberate little jolt there; I wanted to echo that...


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