Musée d'Orsay
#𝐒𝐢𝐠𝐧𝐚𝐜𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧𝐧𝐞𝐮𝐫
La rencontre de Georges Seurat en 1884 marque une étape décisive ans la vie de Paul Signac. Elle signe le début d’une profonde amitié et, plus encore, ne tarde pas à bouleverser les conceptions artistiques de celui qui jusqu’alors admirait par-dessus tout l’art de Claude Monet.
Dès lors, Signac se converti à la technique pointilliste développée par Seurat.
Dans l'exposition, une salle entière est consacrée à des œuvres de Seurat passée dans la collection Signac : dessins, croquetons, tableaux célèbres et fameuses compositions sur papier, en clair-obscur, réalisées au crayon Conté.
bit.ly/SignacCollectionneur
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The meeting with Georges Seurat in 1884 marked a decisive step in the life of Paul Signac. It's the beginning of a deep friendship and, more importantly, soon changed the artistic conceptions of Signac who admired above all the art of Claude Monet.
From then on, Signac became a convert to the pointillist technique developed by Seurat.
In the exhibition "Signac the Collector", an entire room is devoted to works by Seurat from the Signac collection: drawings, croquetons, famous paintings and remarkable compositions on paper, in chiaroscuro, made with a Conte Crayon.
© Musée d'Orsay / Sophie Crépy
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In the exhibition "Signac the Collector", an entire room is devoted to works by Seurat from the Signac collection: drawings, croquetons, famous paintings and remarkable compositions on paper, in chiaroscuro, made with a Conte Crayon.
DeepL 翻譯
在 "收藏家西尼亚克 "展览中,有一整个房间都是西尼亚克收藏的修拉的作品:素描、羊皮纸、著名的画作和用康特蜡笔在纸上进行的出色的构图。
GOOGLE 翻譯
在“Signac the Collector”展覽中,整個房間都專門展示了來自 Signac 收藏的修拉的作品:素描、炸丸子、名畫和非凡的紙上作品,明暗對比,用孔蒂蠟筆製作。
Web results
Croqueton - Oxford Reference
https://www.oxfordreference.com › view › authority.20...
A term devised by the Pointillist painter Georges Seurat (1859–91) to describe the small sketches painted in oil on wooden panels he made in preparation for ...
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croqueton
QUICK REFERENCE
A term devised by the Pointillist painter Georges Seurat (1859–91) to describe the small sketches painted in oil on wooden panels he made in preparation for his large exhibition paintings such as the Bathers at Asnières 1883–4 (National Gallery, London). It is derived from croquis and can literally be translated as ‘sketchette’.
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