2021年1月18日 星期一

Josephine Baker By Le Corbusier (1929)

 Josephine Baker (born Freda Josephine McDonald, naturalised French Joséphine Baker; 3 June 1906 – 12 April 1975) was an American-born French entertainer, French Resistance agent, and civil rights activist. Her career was centered primarily in Europe, mostly in her adopted France. She was the first Black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.[1]

During her early career, Baker was renowned as a dancer, and was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in the revue Un vent de folie in 1927 caused a sensation in the city. Her costume, consisting of only a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.

Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the "Black Venus", the "Black Pearl", the "Bronze Venus", and the "Creole Goddess". Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937.[2] She raised her children in France.

She was known for aiding the French Resistance during World War II.[3] After the war, she was awarded the Croix de guerre by the French military, and was named a Chevalier of the Légion d'honneur by General Charles de Gaulle.[4] Baker once said: "I have two loves, my country and Paris".[5]

Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.'s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.[6][7]

Josephine Baker
Baker Harcourt 1940 2.jpg
Baker in 1940
Born
Freda Josephine McDonald

3 June 1906
Died12 April 1975 (aged 68)
Paris, France
Resting placeMonaco Cemetery
NationalityAmerican (renounced)
French (1937–1975)


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Le Corbusier - Josephine Baker (1929)


“Lo que distingue un bello rostro es la cualidad de los rasgos y un valor muy particular de los rasgos que los unen. El tipo de cara pertenece a todo individuo: nariz, boca, frente, etcétera, lo mismo que la proporción media entre estos elementos [...] Se dice que un rostro es bello cuando la disposición de los rasgos revelan proporciones que se sienten armoniosas porque provocan en lo más íntimo de nosotros, por encima de nuestros sentidos, una resonancia, una tabla de armonía que se pone a vibrar”
Hacia una arquitectura (1923)
Dibujo de Josephine Baker
Le Corbusier.

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google 英譯
“What distinguishes a beautiful face is the quality of the features and a very particular value of the features that unite them. The type of face belongs to every individual: nose, mouth, forehead, etc., as well as the average proportion between these elements [...] It is said that a face is beautiful when the disposition of the features reveals proportions that feel harmonious because they provoke in the most intimate of us, above our senses, a resonance, a table of harmony that starts to vibrate " Towards an architecture (1923) Drawing by Josephine Baker Le Corbusier.

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facebook 中譯
美麗的面孔的區別在於特徵的質量和束縛它們的特質的特殊價值. 臉的類型屬於每個人: 鼻子, 嘴巴, 額頭, 等等, 和這些元素之間的平均比率相同[...]當特徵的佈局顯露因為它們而感到和諧的比例時, 臉很美. 在我們當中最親密的挑釁, 高於我們的感官, 核磁共振, 一張和諧的桌子
邁向建築(1923)
Josephine Baker的畫作
勒科布西爾.

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