2018年5月21日 星期一

為" 韓南教授追思紀念文 (宇文所安) " 加《伊利亞德》引言譯注;"Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another." -

Oxford World's Classics

21小時
The ancient world attributed the two epics, the Iliad and the Odyssey, the earliest and greatest works of Greek literature, to the poet Homer. Most agree the poems date to second half of the 8th century bc, with the Iliad the earlier, about 750, the Odyssey about 725. This was the age of colonization in the Greek world, and it may be no accident that the Iliad shows an interest in the northeast, towards the Black Sea, while much of the Odyssey looks towards the west. As to Homer himself, the Iliad at least suggests a home on the east side of the Aegean Sea, for storm winds in a simile blow over the sea from Thrace, from the north and west, and the poet seems familiar with the area near Miletus as well as that round Troy. Moreover, the predominantly Ionic flavour of the mixed dialect of the poems suits the cities of the Ionian Greek migration on the other side of the Aegean.
"Hateful to me as the gates of Hades is that man who hides one thing in his heart and speaks another." - Homer




Louden: Achilleus' Hateful Man (Iliad 9.312), Odysseus or Agamemnon?

https://camws.org/meeting/2005/abstracts2005/louden.html
... the entire Iliad, when Odysseus conveys Agamemnon's offer intended to end the quarrel, Achilleus responds by saying "as hateful to me as the gates of Hades ..



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原譯文採用直接音譯,對於不了解《伊利亞德》的人不容易深入了解,所以找出一種英文翻譯,從脈絡了解。

記得我和韓南時常坐在他的辦公室裏談話,談學問、談學生,談我們需要為 所上做些什麼。韓南走了,我感受到的不僅僅是失去一位摯友及好同事,也是失落 了一個世代,失落了一種在我認識的人裏幾乎只有他最能恰如其分地代表的處世之 道。在《伊利亞德》中有一個耳熟能詳的片段,葛勞可斯在戰場對上比他更為偉大 的戰士戴奧米迪斯,於是發表了一段演說,在其中將人生比喻為世代更迭的葉片。 可是我覺得不怎麼恰當,每一個世代似乎都有獨特的性質和美德,當這個世代結 束,這些美德也隨隨之永遠地遺失了。認識韓南的人就明白我的意思:他是個君子, 真正的君子。
韓南教授追思紀念文宇文所安 * 著  王 翎 ** 譯



“Like the generations of leaves, the lives of mortal men. Now the wind scatters the old leaves across the earth, now the living timber bursts with the new buds and spring comes round again. And so with men: as one generation comes to life, another dies away.” 
― Homer, The Iliad

"Like the generations of leaves, the lives of mortal men. Now the wind scatters the old leaves across the earth, now the living timber bursts with the new buds and spring comes around again" - Hippolochus (6. 171-174)

Bk VI:119-211 Glaucus meets Diomedes and tells his lineage


Now Diomedes and Glaucus, son of Hippolochus, met in the space between the armies, eager for the fight. When they had come within range, the son of Tydeus, he of the loud war-cry, called: ‘What mighty man are you, among mortals? I have never seen you on the field of honour before today, yet facing my long-shadowed spear, you show greater daring than all the rest. Unhappy are those whose sons meet my fury. But if you be one of the gods from heaven, I will not fight with the immortals. Not even mighty Lycurgus, son of Dryas, survived his war with the gods for long. He chased the nymphs, who nursed frenzied Dionysus, through the sacred hills of Nysa, and struck by the murderous man’s ox-goad their holy wands fell from their hands. But Dionysus fleeing, plunged beneath the waves, trembling and terrified by the man’s loud cries, and Thetis took him to her breast. Then the gods who take their ease were angered by Lycurgus, and Zeus blinded him. So that, hated by the immortals, he soon died. No way then would I wish to oppose the blessed gods. But if you are mortal, and eat the food men grow, come on, and meet the toils of fate the sooner.’
          ‘Brave Diomedes’, Hippolochus’ son replied, ‘why ask my lineage? Like the generations of leaves are those of men. The wind blows and one year’s leaves are scattered on the ground, but the trees bud and fresh leaves open when spring comes again. So a generation of men is born as another passes away. Still if you wish to know my lineage, listen well to what others know already. 

2018年5月20日 星期日

問題:pleasanter aberrations......歌川 国芳 vs歌川廣重; 發音:Dario Fo《》



One of the pleasanter aberrations of the Trump Era is the emergence of Robert Mueller as a fashion icon.

We must listen to his clothes, which are elegant in their reticence. His is the costume of a moral allegory.
NEWYORKER.COM


FACEBOOK 不知所云:特朗普時代的不畸變之一是羅伯特·穆勒成為時尚圖示的出現.

GOOGLE不夠漂亮:特朗普時代的一個令人愉快的失常之處是羅伯特穆勒作為時尚偶像的出現。

案:New Yorker雜誌多/常反Trump,對於"總統父女"的時裝也看不起.........
pleasanter
comparative adjective: pleasanter




台灣版本,2011年 (左);中國版本,2018年,傅雷計畫補助。今年漢清講堂會討論此書。




台版雖然領先時效 (與法文版同年刊出),不過,有時候有粗心錯誤,譬如說,


第164頁的"歌川廣重",是"歌川 国芳/ Utagawa Kuniyoshi,1798-1861)"之誤。


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發音:Dario Fo

1997年11月刊的《當代》第123期有篇鄭培凱的文章《嬉笑怒罵皆文章:諾貝爾文學獎主達里
歐‧傅的戲劇》pp.80~89

義大利文的基本發音規則,Fo 不會是"傅"。
Google 翻譯成"達里奧佛";Wikipedia 中文版:

達里奧·霍(義大利語:Dario Fo,1926年3月24日-2016年10月13日 ) ,義大利劇作家、戲劇導演,生於義大利的San Giano,他的父親是一個鐵路技師。
他與他的夫人福蘭卡·拉梅(Franca Rame)一起致力於用戲劇,尤其是以專業藝術家的喜劇的風格,為底層民眾的利益吶喊,被廣大民眾親切地稱為「人民的游吟詩人」。他共有七十餘部喜劇作品廣為留傳,並於1997年榮獲該年度諾貝爾文學獎。「因為他繼承了中世紀喜劇演員的精神,貶斥權威,維護被壓迫者的尊嚴。」
達里奧·霍是一個很有爭議的劇作家。很多劇作家、文學評論家、新納粹分子以及梵蒂岡當局都從純文學的角度猛烈地抨擊他。

2018年5月19日 星期六

譯人董秋斯(1899年-1969年)


2. 何兆武接受訪談,談起文革時候,「我們所一個人的母親,被自行車撞死了......我問一位同志:『這個怎麼處理啊?』他答:『......要是資產階級被撞死了,活該。要是無產階級被撞死了,那是階及抱負......』」(《中國哲學》第26輯,北京:中國社會科學出版社,2013,頁486)


3. 前幾天,不知如何向Kawase介紹孫康宜,找她的著作說明。《走出白色恐怖》最好,卻找不到,只好用(《耶魯‧性別與文化》).......今天翻讀其中的〈酒鄉月谷憶倫敦〉(頁243~50):功力非凡,值得一讀。我到Wikipedia 讀些相關資料,甚至Jack London (1876~1916)自建的豪屋 Wolf House火災的科學團隊的肇因報告(1995)都有。
London的傳記,1947年即有"名家"董秋斯(1899年-1969年,死於文革/非命?)中譯本《馬背上的水手》(Sailor on Horseback by Irving Stone,原文可在網路讀到)。
有意思的是,看過此本傳記,對於Jack London的兩度婚姻、愛情、社會主義思想、創作及死亡等,下筆可能更難點。



維基百科,自由的百科全書

董秋斯(1899年-1969年),原名紹明,筆名求思。天津靜海縣人。文學翻譯家。

生平[編輯]

  • 1926年畢業於燕京大學哲學系。
  • 1926年底參加北伐戰爭,主編《血路》。
  • 1930年參加左聯和社聯的發起工作,並主編《國際》月刊。
  • 1945年參與組織中國民主促進會,並任《民主》周刊編委。
  • 1946年加入中國共產黨。
  • 1949年10月1日後,歷任上海翻譯工作者協會主席、《翻譯》月刊主編、中國作協編審、《世界文學》副主編。
  • 1952年加入中國作家協會。

翻譯作品[編輯]

  • 《大衛·科波菲爾》*
  • 《高原牛的家》
  • 《戰爭與和平》*
  • 《士敏土》
  • 《傑克倫敦傳》 版主按;應是《馬背上的水手》*
  • 《紅馬駒》
  • 《跪在上升的太陽下》
  • 《卡爾·馬克思》版主按;應是《佛洛伊德和馬克斯》*
  • 《佳作》
  • 《馬背上的水手》
  • 《菸草路》

*表示北京中國人民大學出版社於2004年出的《董秋斯譯文選集》---此批書的序文(凌山  撰,15頁;此文可知在《燕大周刊》第八輯另外有專文介紹董秋斯,第14頁)《一個將翻譯視為"再創作"的思想者》